pop art kleider ysl | ysl fashion pop art kleider ysl The Mondrian Revolution. In 1965, Yves Saint Laurent paid tribute to Mondrian by designing cocktail dresses that evoked the painter’s abstract canvases. Their simple cuts, geometrical lines, and bold colors gave the designer’s collection a .
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In 1965, Yves Saint Laurent introduced art into fashion with his Mondrian series. He continued paying tribute to art in his Autumn-Winter 1966 collection by looking to the Pop Art movement across the Atlantic. From YSL’s haute couture and Le Smoking jackets to the Hedi Slimane days of Saint Laurent, Vogue looks back at the designer tenures that . This 1965 AW collection amazes the world and initiates the dialogue that wishes to establish YSL between art and fashion. Other collections will follow such as "Pop Art" a tribute . One such notable collection is Versace Spring 1991, for which Gianni Versace emblazoned gowns and bodysuits with the Pop Art images of .
Designer Yves Saint Laurent French, born Algeria. fall/winter 1965–66. Not on view. As the sack dress evolved in the 1960s into a modified form, the shift, Saint Laurent realized that the dress's planarity was an ideal field for color blocks.The Mondrian Revolution. In 1965, Yves Saint Laurent paid tribute to Mondrian by designing cocktail dresses that evoked the painter’s abstract canvases. Their simple cuts, geometrical lines, and bold colors gave the designer’s collection a .
The love affair between the art and fashion worlds is now commonplace, but Saint Laurent was among the first to put art on the runway—and take his designs into galleries, too. . Sometimes the museums’ match-ups between Saint Laurent and artist are lazy: take the Pop Art pairing of an Autumn 1966 gown bifurcated by a long dancer’s leg with Gary . Yves Saint Laurent: Line and Expression is curated by Olivier Saillard and Gaël Mamine. This exhibition is organized by the Musée Yves Saint Laurent Marrakech and Musée .
In 1965, Yves Saint Laurent introduced art into fashion with his Mondrian series. He continued paying tribute to art in his Autumn-Winter 1966 collection by looking to the Pop Art movement across the Atlantic. From YSL’s haute couture and Le Smoking jackets to the Hedi Slimane days of Saint Laurent, Vogue looks back at the designer tenures that thread the legendary Yves Saint Laurent label together.
This 1965 AW collection amazes the world and initiates the dialogue that wishes to establish YSL between art and fashion. Other collections will follow such as "Pop Art" a tribute to Andy Warhol, or dresses inspired by Matisse (1980) or by Vincent Van Gogh and his famous Iris and Sunflowers (1988). Launched in the winter of 1965, his wool jersey and silk A-line cocktail dresses were imprinted with the pop art works of Dutch artist Piet Mondrian, thus setting a new trend of marrying. One such notable collection is Versace Spring 1991, for which Gianni Versace emblazoned gowns and bodysuits with the Pop Art images of Andy Warhol, a man who the designer claimed as a soulmate for his collective obsession with material culture.
Designer Yves Saint Laurent French, born Algeria. fall/winter 1965–66. Not on view. As the sack dress evolved in the 1960s into a modified form, the shift, Saint Laurent realized that the dress's planarity was an ideal field for color blocks.The Mondrian Revolution. In 1965, Yves Saint Laurent paid tribute to Mondrian by designing cocktail dresses that evoked the painter’s abstract canvases. Their simple cuts, geometrical lines, and bold colors gave the designer’s collection a modern feel and proved to be incredibly successful. The haute couture house at 30 bis rue Spontini, Paris. The love affair between the art and fashion worlds is now commonplace, but Saint Laurent was among the first to put art on the runway—and take his designs into galleries, too. Vincent van Gogh, Andy Warhol, Pablo Piccaso, Henri Matisse and Georges Braque’s work all featured in his designs.
Sometimes the museums’ match-ups between Saint Laurent and artist are lazy: take the Pop Art pairing of an Autumn 1966 gown bifurcated by a long dancer’s leg with Gary Hume’s high-kicking, high-gloss The Moon (2009); like Hume, Saint Laurent was a fan of Tom Wesselmann’s Great American Nudes but really, we know, it was all about the . Yves Saint Laurent: Line and Expression is curated by Olivier Saillard and Gaël Mamine. This exhibition is organized by the Musée Yves Saint Laurent Marrakech and Musée Yves Saint Laurent Paris, with an exceptional loan from the collection of the Fondation Pierre Bergé –Yves Saint Laurent in Paris. Special thanks to Exhibition .In 1965, Yves Saint Laurent introduced art into fashion with his Mondrian series. He continued paying tribute to art in his Autumn-Winter 1966 collection by looking to the Pop Art movement across the Atlantic. From YSL’s haute couture and Le Smoking jackets to the Hedi Slimane days of Saint Laurent, Vogue looks back at the designer tenures that thread the legendary Yves Saint Laurent label together.
This 1965 AW collection amazes the world and initiates the dialogue that wishes to establish YSL between art and fashion. Other collections will follow such as "Pop Art" a tribute to Andy Warhol, or dresses inspired by Matisse (1980) or by Vincent Van Gogh and his famous Iris and Sunflowers (1988).
Launched in the winter of 1965, his wool jersey and silk A-line cocktail dresses were imprinted with the pop art works of Dutch artist Piet Mondrian, thus setting a new trend of marrying. One such notable collection is Versace Spring 1991, for which Gianni Versace emblazoned gowns and bodysuits with the Pop Art images of Andy Warhol, a man who the designer claimed as a soulmate for his collective obsession with material culture.
Designer Yves Saint Laurent French, born Algeria. fall/winter 1965–66. Not on view. As the sack dress evolved in the 1960s into a modified form, the shift, Saint Laurent realized that the dress's planarity was an ideal field for color blocks.The Mondrian Revolution. In 1965, Yves Saint Laurent paid tribute to Mondrian by designing cocktail dresses that evoked the painter’s abstract canvases. Their simple cuts, geometrical lines, and bold colors gave the designer’s collection a modern feel and proved to be incredibly successful. The haute couture house at 30 bis rue Spontini, Paris. The love affair between the art and fashion worlds is now commonplace, but Saint Laurent was among the first to put art on the runway—and take his designs into galleries, too. Vincent van Gogh, Andy Warhol, Pablo Piccaso, Henri Matisse and Georges Braque’s work all featured in his designs.
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Sometimes the museums’ match-ups between Saint Laurent and artist are lazy: take the Pop Art pairing of an Autumn 1966 gown bifurcated by a long dancer’s leg with Gary Hume’s high-kicking, high-gloss The Moon (2009); like Hume, Saint Laurent was a fan of Tom Wesselmann’s Great American Nudes but really, we know, it was all about the .
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