margiela for hermes | Hermes by martin Margiela margiela for hermes From 1997-2003, Margiela explored ways to make his avant garde aesthetic cross over to the polished and luxurious world of Hermès. He took ideas from his eponymous collections and reworked them. Left ventricular ejection fraction (LVEF) is an established method for evaluation of left ventricular (LV) systolic function. Global longitudinal strain (GLS) by speckle tracking echocardiography seems to be an important additive method for evaluation of LV function with improved reproducibility compared with LVEF.
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From 1997-2003, Margiela explored ways to make his avant garde aesthetic cross over to the polished and luxurious world of Hermès. He took .
Martin Margiela’s radically simple, luxurious designs for Hermès have rarely been shown online or in a museum—until now. From 1997-2003, Margiela explored ways to make his avant garde aesthetic cross over to the polished and luxurious world of Hermès. He took ideas from his eponymous collections and reworked them. Martin Margiela’s radically simple, luxurious designs for Hermès have rarely been shown online or in a museum—until now.
Between 1998 and 2004, Martin Margiela designed a dozen collections for Hermès. With his Fall 1998 debut, the maverick Belgian introduced signature pieces and silhouettes that he returned to. In April 1997, Belgian designer Martin Margiela was announced as the new creative director of France’s historic luxury fashion house Hermès. Since 1988, the designer had been making a name for himself as a pioneer of deconstruction, presenting clothes that were supposed to be worn back to front, or shoes that had split toes or came taped to . The legendary designer Martin Margiela, known for his avant-garde and unconventional approach to fashion, was appointed as artistic director at Hermès in 1997. This post is all about the bag released under his direction in autumn/winter 2002; The Sac Initiale.Martin Margiela: The Hermès Years [1997 – 2003] Image Credit: MORI/AP/REX/Shutterstock A model sports a brown suit for Hermes fall-winter 2002/2003 ready-to-wear collection presented in Paris
A traveling exhibition bringing Margiela’s rich history at Hermès to light, “Margiela: les années Hermès”—which debuted at the Mode Museum in Antwerp last year—will soon arrive in Paris at the Musée des Arts Décoratifs/MAD. The alliance between the noble French house of Hermès and the disruptive Belgian designer Martin Margiela seems an unlikely combination. But in Paris two separate exhibitions are looking at the iconoclast from Antwerp. The MoMu museum in Antwerp will concentrate on a rich but often neglected period: “The Hermès Years”. The clothes created from 1997–2003 by Margiela for the traditional Parisian fashion house will go on display together for the first time as a fashion entity.
Nothing from the Hermès collections looks dated or out of synch with the times. Margiela, who turns 60 in April, sold his company to Renzo Rosso, founder of Diesel and President of the OTB Group, and then bowed out to concentrate on his painting. The designer has an explanation for timeless fashion. From 1997-2003, Margiela explored ways to make his avant garde aesthetic cross over to the polished and luxurious world of Hermès. He took ideas from his eponymous collections and reworked them. Martin Margiela’s radically simple, luxurious designs for Hermès have rarely been shown online or in a museum—until now. Between 1998 and 2004, Martin Margiela designed a dozen collections for Hermès. With his Fall 1998 debut, the maverick Belgian introduced signature pieces and silhouettes that he returned to.
In April 1997, Belgian designer Martin Margiela was announced as the new creative director of France’s historic luxury fashion house Hermès. Since 1988, the designer had been making a name for himself as a pioneer of deconstruction, presenting clothes that were supposed to be worn back to front, or shoes that had split toes or came taped to .
The legendary designer Martin Margiela, known for his avant-garde and unconventional approach to fashion, was appointed as artistic director at Hermès in 1997. This post is all about the bag released under his direction in autumn/winter 2002; The Sac Initiale.Martin Margiela: The Hermès Years [1997 – 2003] Image Credit: MORI/AP/REX/Shutterstock A model sports a brown suit for Hermes fall-winter 2002/2003 ready-to-wear collection presented in Paris A traveling exhibition bringing Margiela’s rich history at Hermès to light, “Margiela: les années Hermès”—which debuted at the Mode Museum in Antwerp last year—will soon arrive in Paris at the Musée des Arts Décoratifs/MAD.
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The alliance between the noble French house of Hermès and the disruptive Belgian designer Martin Margiela seems an unlikely combination. But in Paris two separate exhibitions are looking at the iconoclast from Antwerp. The MoMu museum in Antwerp will concentrate on a rich but often neglected period: “The Hermès Years”. The clothes created from 1997–2003 by Margiela for the traditional Parisian fashion house will go on display together for the first time as a fashion entity.
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the Hermes years book
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